
Crime Novel Red Harvest by Dashiell Hammett
Dashiell Hammett’s crime novel Red Harvest is more than just a gripping detective story. It’s also a political statement, inspired
Otto Penzler joins Tea, Tonic & Toxin to discuss the Golden Age of Mystery.
Otto Penzler is president and CEO of MysteriousPress.com and proprietor of New York City’s Mysterious Bookshop.
Widely regarded as a leading authority on crime, mystery, and suspense fiction, he founded The Mysterious Press in 1975 and later launched Penzler Publishers, including American Mystery Classics and Scarlet. A prolific editor and publisher, he has received two Edgar Awards, the Ellery Queen Award, and the Raven.
Scroll down to learn more about Otto Penzler!
Otto Penzler is president and CEO of MysteriousPress.com and proprietor of The Mysterious Bookshop in New York City. Long regarded as one of the world’s foremost authorities on crime, mystery, and suspense fiction, he has spent decades shaping the field as a publisher, editor, bookseller, and champion of both classic and contemporary crime writing.
In 1975, Penzler founded The Mysterious Press, a publishing house that became one of the most respected names in mystery and suspense fiction. He sold the company to Warner Books in 1989, reacquired the imprint in 2010, and continued publishing literary crime fiction through Grove/Atlantic. Since January 2021, The Mysterious Press has again been independently owned. Through MysteriousPress.com, in partnership with Open Road Integrated Media, he publishes both original works and classic crime fiction.
In fall 2018, Penzler established Penzler Publishers, which introduced American Mystery Classics, a line dedicated to bringing distinguished mystery and detective novels back into print, many after decades of unavailability. In September 2020, he launched Scarlet, an imprint devoted to psychological and domestic suspense. Charles Perry serves as publisher of all Penzler Publishers imprints, and Luisa Smith is editor-in-chief of Scarlet.
Penzler’s contributions to the mystery world extend well beyond book publishing. For seventeen years, he published The Armchair Detective, the Edgar Award-winning quarterly journal devoted to the study of mystery and suspense fiction. He also created Otto Penzler Books and The Armchair Detective Library, further expanding his influence on the genre’s publishing landscape.
A prolific and highly respected editor, Penzler has assembled numerous landmark anthologies, including The Big Book of Espionage Stories, The Big Book of Reel Murders, The Big Book of Female Detectives, The Big Book of Sherlock Holmes Stories, and The Best American Noir of the Century, co-edited with James Ellroy. From 1997 to 2020, he served as series editor of The Best American Mystery Stories, working with an extraordinary roster of guest editors that included Robert B. Parker, Sue Grafton, Ed McBain, Donald E. Westlake, Lawrence Block, James Ellroy, Michael Connelly, Nelson DeMille, Joyce Carol Oates, Scott Turow, Carl Hiaasen, George Pelecanos, Jeffery Deaver, Lee Child, Harlan Coben, Robert Crais, Lisa Scottoline, Laura Lippman, James Patterson, Elizabeth George, John Sandford, Louise Penny, Jonathan Lethem, and C.J. Box.
His work has earned some of the mystery field’s highest honors. He won Edgar Awards for Encyclopedia of Mystery and Detection in 1977 and The Lineup in 2010. Mystery Writers of America also honored him with the Ellery Queen Award in 1994 and the Raven Award, the organization’s highest non-writing honor, in 2003.
Born on July 8, 1942, Otto Penzler lives in New York and Connecticut.
You founded The Mysterious Press in 1975—what did you see in crime fiction at that moment that others weren’t yet recognizing?
You’ve spent decades as a publisher, editor, and bookseller—how do those roles shape your understanding of what makes a great mystery?
Was there a single book or author early in your life that made you realize crime fiction could be more than entertainment?
Otto Penzler, you are the owner of The Mysterious Bookshop in New York City. You’ve had a front-row seat to readers’ tastes—what trends have surprised you most over the years?
In an era of digital reading and online retail, what keeps a brick-and-mortar mystery bookstore not just alive, but essential?
When you revived The Mysterious Press, what was your vision—was it about preserving the past, shaping the future, or both?
Through American Mystery Classics, you’ve brought many out-of-print works back to life—how do you decide which forgotten novels deserve rediscovery? (For reference, our podcast has read or will be reading Home, Sweet Homicide by Craig Rice, The Three Coffins by John Dickson Carr, The Fabulous Clipjoint by Fredric Brown, and Cat of Many Tails by Ellery Queen)
The “Golden Age” of mystery fiction between the wars produced incredibly structured, puzzle-driven stories. Otto Penzler, what do you think modern writers have lost, or gained, since then?
Why do Golden Age mysteries continue to resonate today? Is it nostalgia, craftsmanship, or something deeper about how they approach justice and order?
Many Golden Age works reflect the social assumptions of their time—how should modern readers engage with those elements while still appreciating the storytelling?
You’ve edited massive anthologies spanning espionage, noir, and detective fiction—how do you personally define the boundaries of “crime fiction,” and where do you think the genre is heading next?
If someone new to mystery fiction walked into your shop today, what one Golden Age novel would you put in their hands—and why?
Founded in 1975 by Otto Penzler, The Mysterious Press quickly became one of the most respected publishing houses devoted exclusively to crime, mystery, and suspense fiction. At a time when the genre was often treated as disposable entertainment, The Mysterious Press helped elevate it by publishing high-quality, carefully curated works from both established masters and emerging voices.
The press earned a reputation for literary excellence, introducing American readers to international crime writers and championing authors whose work blended gripping storytelling with deeper psychological and moral complexity. Its list has included some of the most influential voices in mystery and noir, reinforcing the idea that crime fiction could be both commercially successful and artistically significant.
After being sold to Warner Books in 1989, The Mysterious Press continued to operate as a prestigious imprint. In 2010, Penzler reacquired the brand and relaunched it, eventually publishing through Grove/Atlantic before returning it to independent ownership in 2021. Today, The Mysterious Press operates in conjunction with MysteriousPress.com, where it publishes both original works and rediscovered classics in partnership with Open Road Integrated Media.
Over the decades, The Mysterious Press has played a central role in shaping modern crime fiction—preserving its traditions, expanding its boundaries, and ensuring that some of the genre’s finest works remain in print for new generations of readers.
Tell us what you think, and we may share your thoughts in our next episode and send you a fabulous sticker! (It really is a pretty awesome sticker.)
Tea, Tonic, and Toxin is a book club and podcast for people who love mysteries, thrillers, introspection, and good conversation. Each month, your hosts, Sarah Harrison and Carolyn Daughters, will discuss a game-changing mystery or thriller from the 19th and 20th centuries. Together, we’ll see firsthand how the genre evolved.
Along the way, we’ll entertain ideas, prospects, theories, doubts, and grudges, along with the occasional guest. And we hope to entertain you, dear friend. We want you to experience the joys of reading some of the best mysteries and thrillers ever written.
Teasers & Tidbits

Dashiell Hammett’s crime novel Red Harvest is more than just a gripping detective story. It’s also a political statement, inspired

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